I’m guest blogging at Author Culture
today about showing emotions in the non-POV character.
When I was a new writer first learning about Point of View, it seemed unconscionable to me that my readers might miss the nuances of what the non-POV character was thinking and feeling in a scene. I thought maybe my book was one of the few that really needed to be written from the omniscient viewpoint. I desperately wanted to embrace head-hopping as a valid literary choice.
Years have gone by, and I’ve seen the error of my ways. As an editor, I hear similar arguments from my clients. Unfortunately, the arguments don’t fly for them, either. It doesn’t matter that your favorite classical writer employed omniscient POV, and nobody will be swayed by the fact that some bestselling author head-hops all the time. When you’re a bestseller, you can break the rules, too. And maybe in a hundred years, your book will still be on the shelves—but only if you get it into readers’ hands now.
Of course, your non-POV character is having thoughts and feelings, and you do need to show them. How can you do that if you’re not in his head?